22 February 2020 > 30 August 2020
Opening on Friday 21 February 2020, 6-8PM, RSVP here
My Mother’s Keeper features a film and a series of new photographs produced as a result of a collaboration between the artist
Karla Dickens and writer Bruce Pascoe. Initiated by the Kandos School of Cultural Adaptation, the work focuses on the urgent need for us to
protect and conserve the land and our environment.
Over two days, Dickens worked with Blacklock Media to make the film, which features Pascoe walking through Gamilaaraay Country near the town of Bingara in the north-east of NSW. Walking alongside Pascoe are a group of Aboriginal primary school children from Bingara Central School. The children represent the next generation, who must be equipped with the right skills and knowledge to implement positive changes to continue to be successful custodians of the land. The capes, created by Dickens and worn by Pascoe and the children in the film, will also be on display.
View the eCatalogue
IMAGE > Karla Dickens, Mother’s Little Helpers VI, 2019, inkjet print, 67 x 120 cm.
Image courtesy of the artist and Andrew Baker Art Dealer.
"An affinity for the broken, the damaged and discarded infuses all of Ms. Dickens’ work, influencing both her medium and her deeply
political message.
She has been a practicing artist for decades and her work is featured in major cultural institutions, but there is a sense that her
rightful recognition has only just arrived".
Charlotte Wood, “Finding Beauty in Broken Things, an Aboriginal Artist Finds Recognition at Last”, New York Times, 12 April, 2019.
Dickens’ work engages with a range of vitally important social, political and cultural issues. As a Wiradjuri woman, Dickens’ work is
profoundly informed by her Aboriginality, her sexuality and her personal history. The work is compelling on an
emotional level, as well as addressing some of the deep-seated problems faced by women, the LGBTQI community and Indigenous
Australians.
IMAGE > Portrait of Karla Dickens. Image courtesy of the artist.
Dickens has shown her work in solo and group exhibitions across Australia for over 20 years. Her work is represented in many public and private collections including the NGA, MCA, Art Gallery of Western Australia, National Museum of Australia and Bendigo Art Gallery. Dickens holds a Bachelor of Fine Art from the National Art School, Sydney.
IMAGES > Karla Dickens, My Mother’s Keeper [installation views], 2020.
Image courtesy of the artist and Andrew Baker Art Dealer. Photograph: Theresa Harrison Photography.
This work was produced with the support of Create NSW, and forms part of the project 'An artist, a farmer & a scientist walk into
a bar…'.
This project was initiated by the
Kandos School of Cultural Adaptation in partnership with Cementa
Inc., Starfish
Initiatives and The
Living Classroom in
Bingara.
Tuesday 10 March 2020, 6PM-7.30PM
Celebrate #EachforEqual this International Women’s Day (IWD) 2020 with award-winning writer, speaker and appearance activist Carly
Findlay OAM.
Among her many achievements, Carly was named one of Australia’s most influential women in Australian Financial Review and Westpac 100 Women
of Influence Awards in 2014.
The Long Shot
22 February 2020 > 30 August 2020
Opening on Friday 21 February 2020, 6-8PM
This new body of work extends Stockdale’s long-held fascination with early colonial times in Australia. The Long Shot explores the
dominant narratives of Australian folk history, mythology and iconography and challenges their potency within a contemporary context. Based
on extensive research, Stockdale presents a new version of Ned Kelly’s family history, with a focus on the experiences of Kelly’s mother,
Ellen.
Routes / Roots
22 February 2020 > 30 August 2020
Opening on Friday 21 February 2020, 6-8PM
Robert Fielding is a contemporary artist of Pakistani, Afghan, Western Arrente and Yankunytjatjara descent, who lives in Mimili Community in
the remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Fielding’s work combines strong cultural roots with contemporary perspectives.