Haji Oh
Grand-Mother Island Project: Chapter 1- Nautical Map
Since 2017 Haji Oh has engaged in an extended series of creation and installation work titled ‘Grand-mother Island Project’, in which she traces the trajectories of people who have crossed the Pacific Ocean between Japan, Korea, Nauru, Torres Strait, Australia, and places in-between.
Grand-Mother Island Project: Chapter 1- Nautical Map is the first part of this project. Comprising three textile elements - Textile as Map j.i (Jeju Island, Korea), Textile as Map t.i (Thursday Island, Queensland, Australia) and Textile as Map Mt.k (Mount Kiera, NSW, Australia), the work traces the trajectories of island and ocean crossings between Japan, Korea, Torres Strait, and Australia. It focuses on the individual narratives that are interwoven with global histories to create new communities.
The ‘Grand-Mother Island’ constitutes an imaginary space that inherits and generates untold stories. The ‘islands’ are metaphors for political and personal relationships, as well as for spaces to explore both private and shared histories beyond the nation-state. Political Scientist Benedict Anderson considers the nation to be an “imagined political community where belief in a shared history strengthens the sense of national belonging”. The Grand-mother Island Project conceives spaces between nations as spaces of movement that expand our personal horizons. Using the metaphor and universal experience of ‘the grandmother’, the project aims to bring to life stories of a connected past, opening us to others.
Oh’s meticulous and labour-intensive process of creating the textile works underscores the narrative. The shape of the islands emerges
through the dying and bleaching of the warp thread, which forms part of the preparation for the weaving process. In four-selvaged cloth (a
finished textile that has no cut edges or hems), the spiral of the warp thread is intersected by the weft thread, symbolizing the continuity
of memory and time and the convergence of the past with the present. The resulting woven works are an embodiment of space, time, and memory.
+ Visit Haji Oh's Website
IMAGES > Haji Oh, Nautical Map, 2017-2024, Linen, lead weight, fishhook, Dimension
variable. Photograph:
Shinya Kigure.
Haji Oh
is a third generation Zainichi Korean artist born and raised in Japan, now living in Wollongong, NSW. She creates
installation works utilising textile-making techniques such as weaving, dyeing, and unravelling, as well as photography, cyanotype, text,
and audio. She creates artworks to give expression to the untold and silent memories of women and forgotten or unnamed individuals. Oh’s
practice explores the concept of ‘post-memory’ by sharing experiences and dialogue through the collaborative process of community engagement
and workshops. An accomplished international textile and fibre artist, Oh was awarded a PhD in Fine Arts from Kyoto City University of Arts,
Japan, and is the recipient of the Tokyo Contemporary Art Award 2024-2026 (TCAA). Oh is represented by THIS IS NO FANTASY, Melbourne.
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